My research project provides some of the pieces that are now missing from the puzzle of Sino-Italian relations and cross-cultural studies.
The dissertation focuses on the portrayals of the PRC and its people in Italian travel notes, reportage, as well as fiction and documentary movies produced from to Through analysis of works of Italian authors and filmmakers, such as Franco Fortini, Curzio Malaparte, Goffredo Parise, Alberto Moravia, Michelangelo Antonioni, and Andrea Segre, the dissertation explores the romanticized manifestations of the Red Utopia in the s, the critical reassessment of Maoist China in the s and s, and the stereotypical portrayals of China and the Chinese in recent Italian fiction movies.
By setting the changing representations in their historical context, the dissertation challenges come prevalent judgements and interpretations in the existing, limited scholarship on the theme, and reveals the influences of complex social, political, and cultural factors behind the transformation. The dissertation combines a variety of critical approaches drawn from post-colonialism, film studies, gender studies, social psychology, and political theory to study the changing representations, and reveals the influences of complex factors in the re construction of identity, with the aim of proposing alternative interpretations, and providing some of the pieces that are currently missing from the puzzle of cultural studies.
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